Friday, April 17, 2015

Gospel Truth Found in the Strangest Places

I'm a movie fan.  Of some movies that is.
I  hate to admit this because I'm sure my time could be better spent doing something else.
But I'm a sucker for old classics, musicals, and anything Disney.  And sometimes the occasional newer romantic comedy.

And as far as the old classics are concerned, "They don't make 'em like they used to," is more than just an old saying.

Thank heavens that Cary Grant, Gregory Peck, John Wayne, James Stewart, Sydney Poitier, and Gary Cooper will always be there for us on film.
(Larry says don't forget Maureen O'Hara and Sophia Loren, but what does he know.)
They don't make old classics like them anymore for sure.

I generally prefer old movies for other reasons too.
For one thing it's distressing that so many of today's films are rife with meaningless sex and violence.
I've decided that I refuse to be entertained by violence, cruelty, or meanness. So all mean movies are out for me even if they are PG. Someone once commented that those types of films show life in all its gritty reality. Well, flowers are just as real as sewers and I'd rather spend my time with them.
And as far as sex is concerned, today's film makers don't know beans about it anyway.

In my opinon, the sexiest scene ever filmed is the one in "Friendly Persuasion."
It's a movie about a Quaker family during the Civil War.
Gary Cooper and Dorothy Malone play a devoted and long married couple. She's a Quaker minister.
One day they had a rare but major disagreement. She leaves in a huff to take up residence in the barn. Later, after sending the children to bed, a lonely and mostly apologetic Gary heads out to take her an extra pillow and blanket.

The steamy sex scene shows a dimly lit barn with a horse quietly munching oats. An obviously still miffed Dorothy is seated, arms crossed, atop a quilt that covers a deep pile of fresh straw. Stacks of baled hay sit beside her making a makeshift headboard and night table, complete with lantern and Bible.

A hopeful Gary enters and says something inane about the weather. He tentavively makes his way to her side. He stands there quietly and then taps his toe gingerly on the edge of the covered straw. He's testing for comfort.

That's all you see.
A close up of Gary's boot gently tapping on the blanket.
Then the scene fades to dawn the next morning.
The sun is just coming up behind the barn. The two of them are walking with arms around each other, loaded with pillows and quilts, slowly making their way back to the house.
Hmmm.

You need to be married to appreciate what happened here. And you need a good imagination too.
Well, I've been married 50 years and I can still imagine plenty.
Yes, indeed. A very sexy scene to be sure.
And all those poor, misguided people who think "twerping or whatever it's called" is sexy should watch "Friendly Persuasion" to see the real deal.

And then if the "twerps" want to learn about sexy dancing they should check out Lauryn Bacall.
In one of those iconic Bogey and Bacall movies she does the sexiest dance ever filmed. It's been remembered for more than half a century.
There she is, fully dressed in a modest suit, covered from neck to wrist to knees. She then moves ever so slightly, almost demurely, to Hoagy Carmichael's jazz piano as she makes her way across the room. There's a haunting look on her lovely face.
Unforgettable.

And while movies are usually just entertainment,  I've noticed something special that happens every now and then.
Once in a while I'm surprised to find that a gospel principal has been illustrated in a film.
Just yesterday I watched Disney's "Saving Mr. Banks" and found one.

"Saving Mr. Banks" tells the story of the making of the movie "Mary Poppins." Walt really had a time getting that beloved film produced due to obstacles put in place by the author of the books.  It took him 20 years of persuasion. Seems there was a heap of emotional baggage along with a spoonful of sugar in that magic bag Mary carried around all her life.

You see, the book is really based on the childhood experiences of the author, P.L. Travers. It alludes to her family, and her beloved but alcoholic father.

In the movie there's a scene where Bert, a cockney chimney sweep, is talking with the children about their often absent and distant father. The children tell Bert that their father doesn't love them.   He disagrees.  The conversation then takes a turn to a discussion about living things in cages.

Bert says to the children, "Well, I never do likes to see any living thing locked up in a cage.  But then you knows of course, cages comes in all sizes and shapes, don't they."

Mr. Bank's cage was money and ambition.   Mrs. Travers father was locked in a bottle.
Cages do indeed come in all sizes and shapes, but all of them, no matter the kind, are very, very sad.
And, have you noticed that when it's a father or mother that gets locked up, sometimes the whole family gets locked up with them. Sadly, sometimes it's a life sentence for everybody.

I think Heavenly Father hates to see his children in cages too. He's often tried to warn us about them.

Then too, I remember a scene from African Queen.
Of course you know the story of the lady missionary, Rose, reluctantly rescued by the scruffy, supply boat captain, Charlie.  It's the beginning of the first world war. After a series of preliminary events the two of them find themselves on a mission to help their country and the cause of freedom.  It's an impossible mission. They set out to sail down an unnavigable river to a lake to destroy an enemy ship. No sane person would ever attempt it. Certain death awaits them many times over. They encounter all sorts of obstacles from enemy gunfire to raging whitewater.

Finally both of them end up struggling waist deep in the swamp, hacking through the reeds and actually pulling the boat through the muck and mire.

The gospel scene opens with Bogey lying on the bottom of the boat, spent, sick and exhausted near to death. Rose is on her knees, praying. In her prayer, which she believes is her last, she tells Father that they've done everything they possibly could but have failed in their mission to help. She asks forgiveness for their sins and asks Father to welcome them home. She dissolves in a heap.

The gospel truth turns up at the start of the next scene.

Upriver it begins to rain. A deluge even.  It's the start of the seasonal monsoon. Floods swell the waters flowing downriver, surrounding the boat carrying the unconscious pair. The boat rises and begins to move. Eventually Bogey awakes to discover that they are only a few feet from the lake!

It was only after they did all they could that Heavenly Father stepped in.
He could have sent the rains earlier, after all. He knew how it would turn out in the end. But He waited until they had contributed all that was in their power to give first.

What do the scriptures say? "For we know that it is by grace we are saved, after all we can do."

Yes, indeed.
Sometimes eternal principles turn up in the strangest places, don't they?










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